Mosico Red Mute series Hihat cymbal

Additional information

Material:

Alloy

Color:

Black

Pack:

carton

Diameter

14 inch

Types

HIHAT

$29.00

Prouduct Details

Professional Mosico Red Mute Hi-Hat Cymbal Set – Controlled Definition & Warm Response

Experience refined hi-hat performance with the Mosico Red Mute Hi-Hat Cymbal set, engineered for controlled definition and warm response in intimate performance environments. These precision-crafted cymbals feature Mosico’s Red Mute technology and crimson finish, delivering excellent stick clarity with naturally muted chick response that enhances musical intimacy and controlled dynamic expression.

Key Features:

  • Controlled stick articulation with warm definition and passionate clarity
  • Naturally muted chick sound with warm character and controlled bleed
  • Red Mute alloy construction for enhanced warmth and controlled projection
  • Perfect passionate weight matching for optimal expressive performance
  • Enhanced foot splash response with controlled, warm wash buildup
  • Superior dynamic range optimized for intimate musical expression
  • Medium-weight top with medium-heavy bottom for passionate balance
  • Red Mute surface treatment for natural volume control and warm character
  • Passionate edge profiling for superior controlled foot response
  • Expressive pairing process ensures warm sonic compatibility

Technical Specifications:

  • Size: 13″, 14″, 15″ available
  • Top Cymbal: Medium weight, passionate dome profile with controlled projection
  • Bottom Cymbal: Medium-Heavy weight, warm flat design with red mute edge
  • Sound: Warm, Controlled, Passionate, Intimate

Red Mute Innovation Features:

  • Controlled projection technology for intimate performance environments
  • Passionate stick response optimization for expressive articulation
  • Natural muting construction for warm performance reliability
  • Professional controlled-use durability certification

Passionate Engineering:

  • Enhanced warmth distribution for intimate musical impact
  • Red Mute manufacturing with controlled performance standards
  • Professional passionate performance optimization and testing
  • Advanced controlled dynamics engineering for expressive reliability

Ideal for: Jazz clubs, intimate venues, studio recording, practice sessions, acoustic performances, controlled volume applications

Address

Fanjia Vililage, Shuizhai Town, Zhangqiu City, Shandong, China

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Porduction

Learn about the materials and construction techniques used in crafting our cymbals. From traditional bronze alloys to modern innovations, our cymbals are built with precision and care to deliver outstanding performance and durability. Dive into the world of cymbal manufacturing and understand the factors that contribute to their distinct tones.
Mixing The Elements
We use highest quality B20 Bronze alloy. Basically B20 Bronze alloy is a mixture of 80% Copper and 20% Tin ,and B20 is known as the most musical of all alloys. Our centuries old secret process gives the alloy its strength, durability and flexibility. Without the secret process, the metal will be hard but very brittle and can break like a glass easily. That secret process has an extremely important role on producing musical sounding cymbals.
Casting
In the first step of producing cast cymbals, the proper mixture of metals are melted and combined in the melting pot which they soon become castings. Melting allows the copper and tin mix in a certain heat and that heat evaporates all impurities in the alloy.The amount of the molten alloy in every mold can be different depending on the cymbal type. After pouring, the alloy gets hardened and becomes what we call Castings. Now these castings are ready for the next step which we call “Heating"
Heating & Rolling
The castings will be heated around 700-800 C in our oven. Each casting is heated evenly in the oven by our skilled craftsmen. The heated castings are now soft and ready to go under the rolling machine to become metal discs which we call “blanks”. These blanks are heated up and rolled again several times until the blank reaches its desired thickness. This process also allows the metal molecules bond together perfectly and makes the metal more durable. Then blanks are set aside to cool before the next process
Pressing The Bell
Cooled down blanks will be heated again then put it in the model for bell pressing. After cutting the blanks into their proper shape, we get the primary cymbals
Hammering
This process is the first and the most important phase of shaping the sound of a cymbal. Hammering is done by our skilled craftsmen, using centuries old hammering techniques. These techniques determine the dark, complex and musical sound qualities of ARBOREA Cymbals. In its nature, hammering process requires mastery, skill and lots of hard work cause in handmade cymbals, the profile of a cymbal is given only by hammer hits. The cymbals sound was tuning by our experienced craftsmen.
Lathing
Lathing is the other very important phase of cymbal making which directly effects the sound of a cymbal. It should definitely be done by highly skilled craftsmen. Lathing cuts circular grooves on a cymbal and lets the vibrations travel on the surface of a cymbal easily.
Testing And printing
After lathing, some cymbals will be polished depend on the surface requirement, the finished cymbals are sent to final testing. Our product specialist takes care of each cymbal and does the final visual and audio tests. Then the quality conformance cymbals will be printed our logos and after checking the logos ,the cymbals are ready to take their places on the shelves in our show room ,then send to the distributors,in order to be played by all levels of musicians worldwide.

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